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聚光灯下的译著

作　者: 胡志艳
导　师: 汪榕培
学　校: 苏州大学
专　业: 外国语言学与应用语言学
关键词: 阐释学接受美学文学翻译译者主体性《飘》的三个中译本
分类号: I046
类　型: 硕士论文
年　份: 2008年
下　载: 61次
引　用: 0次
阅　读: 论文下载

内容摘要

传统翻译理论认为翻译是二等公民,译者的唯一使命就是忠实再现原文的内容。译者的任何创造性都是对原文的背叛,是绝对不允许的。阐释学和接受美学为翻译理论研究提供了重要启示。译者不是原文被动的接受者,在意义阐释和译本产生的过程中,译者是一个积极的主体。译者主体性的发挥对文学翻译的成功起着重要的作用。阐释学和接受美学为文学翻译中的译者主体性提供了重要的理论基础。作者结合理论与实践,以《飘》的三个中译本为例,系统研究文学翻译中译者的主体性。首先,作者简要介绍了文学翻译的特点,认为译者主体性的发挥对文学翻译取得成功起着重要作用。在文献综述部分,作者简要介绍阐释学和接受美学的发展、主要概念以及其对文学翻译中译者主体性的启示。之后,作者详细分析译者主体性的原因、表现及限制因素。在文本分析部分,作者简要介绍了小说的作者、情节及其中译本。作者选取了傅东华、戴侃和李美华三位译者的译本,通过对译本中具体实例的比较来分析译者主体性的发挥。作者从译者动机、翻译策略和译本风格三个方面分别展开论述。文本方格方面,译者主体性主要体现在用词和句型两个方面。在本文结论部分,作者强调译者主体性发挥必须受到原文限制,而并非不负责任、天马行空般的胡译或乱译。

全文目录

Acknowledgements  3-4
摘要  4-5
Abstract  5-9
Chapter One:Introduction  9-15
  1.1 Motivation for the Study  9-11
  1.2 General Frame of the Thesis  11-12
  1.3 Characteristics of Literary Translation  12-15
Chapter Two:Literature Review  15-25
  2.1 Translator's Subjectivity in the Light of Hermeneutics  15-18
    2.1.1 A Brief Introduction to Hermeneutics  15-17
    2.1.2 The Enlightenment of Hermeneutics on the Translator's Subjectivity  17-18
  2.2 Translator's Subjectivity in the Light of Reception Aesthetics  18-25
    2.2.1 A Brief Introduction to Reception Aesthetics  18-22
    2.2.2 The Enlightenment of Reception Aesthetics on the Translator's Subjectivity  22-25
Chapter Three:Translator's subjectivity in literary translation  25-42
  3.1 Definition of the Translator's Subjectivity in Literary Translation  25-27
  3.2 Inevitability of the Translator's Subjectivity  27-32
    3.2.1 Differences between the Source and Target Cultures  28-30
    3.2.2 Differences between the Source and Target Languages  30-31
    3.2.3 Translator's Personal Factors  31-32
  3.3 Manifestations of the Translator's Subjectivity in literary translation  32-38
    3.3.1 Translator's Motives  32-33
    3.3.2 Translator's Aesthetic Orientations  33-35
    3.3.3 Translator's Attitude towards the Source and Target Cultures  35-36
    3.3.4 Translator's Consideration of Target Readers  36-38
  3.4 Restrictions on the Translator's Subjectivity  38-42
    3.4.1 Restrictions Due to the Source Text  38-39
    3.4.2 Restrictions Due to the Target Culture  39-42
Chapter Four:The Translator's Subjectivity in the Three Chinese Versions of Gone with the Wind  42-65
  4.1 Gone with the Wind and the Chinese Versions  42-45
    4.1.1 The Writer  42-43
    4.1.2 The Novel of Gone with the Wind  43-44
    4.1.3 The Chinese Versions  44-45
  4.2 Comparison of the Three Versions of Gone with the Wind  45-65
    4.2.1 Translation Motives  45-47
    4.2.2 Translation Strategies  47-49
    4.2.3 Language Styles of the Three Chinese Versions  49-65
      4.2.3.1 Translator's Subjectivity in Adapting Diction  51-57
      4.2.3.2.Translator's subjectivity in adapting sentences  57-65
Chapter Five:Conclusion  65-68
Bibliography  68-72
详细摘要  72-74

聚光灯下的译著

内容摘要

全文目录

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