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戏剧独白诗中的声音和关系

作　者: 李宏霞
导　师: 张定铨
学　校: 上海外国语大学
专　业: 英语语言文学
关键词: 戏剧独白第一人称叙述者诗歌形式自我暴露非个人化意象组合维多利亚时期写作风格句法结构客观化
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类　型: 硕士论文
年　份: 2008年
下　载: 141次
引　用: 0次
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内容摘要

作为英美文学中一种特殊的诗歌形式,戏剧独白诗由第一人称叙述者的独白构成,它隐含三大要素:第一人称叙述者、沉默的听众和叙述者的自我暴露。尽管戏剧独白诗可谓“单方对话”,它暗含三种声音:叙述者的声音、听众的声音和诗人的声音。其中,叙述者的声音由叙述者直接呈现给读者;听众的声音则隐含于叙述者对听众的招呼、询问、请求、命令、回应、转述和评论中;虽然诗人在创作戏剧独白诗时故意抹煞自己的存在、以求达到“非个人化”及“客观化”的效果,他的声音依然有迹可循,从诗歌的意象组合、语气转换、句法结构、修辞手段等写作风格中可见一斑。由于戏剧独白诗运用不可靠的第一人称叙述者、开放式的结构和诗人的缺席,读者在解读文本时拥有较大的自由想象空间,同时又局限于叙述者的“一面之辞”。本论文以维多利亚时期、现代主义时期和后现代主义时期的戏剧独白诗为研究素材和对象,阐述了叙述者、听众、诗人和读者之间构成的六种互动关系,以及互动关系的构建问题。

全文目录

Acknowledgements  4-5
Abstract  5-6
中文摘要  6-8
Introduction  8-11
Chapter One Theories of the Dramatic Monologue  11-22
  1.1 Theoretical development of the dramatic monologue  11-18
  1.2 Definition of the dramatic monologue  18-22
    1.2.1 Speaker other than the poet  18-19
    1.2.2 Presence of a silent audience  19-20
    1.2.3 Focus on self-revelation of the speaker  20-22
Chapter Two Voices Working in the Dramatic Monologue  22-41
  2.1 Voice of the speaker  22-31
    2.1.1 The first-person speaker  23-25
    2.1.2 Identity of the speaker  25-27
    2.1.3 Unreliability of the speaker  27-29
    2.1.4 Self-revelation of the speaker  29-31
  2.2 Voice of the audience  31-35
    2.2.1 Presence of the audience  32-33
    2.2.2 Identity of the audience  33-34
    2.2.3 Conveyance of the audience’s voice  34-35
  2.3 Voice of the poet  35-41
    2.3.1 Depersonalization of the poet  36-37
    2.3.2 Presence of the implied poet  37-38
    2.3.3 Conveyance of the poet’s voice  38-41
Chapter Three Interplays Working in the Dramatic Monologue  41-59
  3.1 Interplay between the speaker and the audience  41-42
  3.2 Interplay between the poet and the speaker  42-46
    3.2.1 The poet’s choice of speakers  43-45
    3.2.2 Contrast between the speech language and the poetic language  45-46
  3.3 Interplay between the reader and the speaker  46-52
    3.3.1 The reader’s freedom and limitation in interpreting the speaker  46-49
    3.3.2 The reader’s sympathy and judgment toward the speaker  49-52
  3.4 Interplay between the poet and the audience  52-54
  3.5 Interplay between the reader and the audience  54-55
  3.6 Interplay between the poet and the reader  55-59
Conclusion  59-61
Works Cited  61-63

戏剧独白诗中的声音和关系

内容摘要

全文目录

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