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对泛神论无限的浪漫主义追寻
作 者: 许瑾瑜
导 师: 高文平
学 校: 中山大学
专 业: 英语语言文学
关键词: 泛神论无限 内在整体 有机形式 浪漫主义 个体性
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类 型: 硕士论文
年 份: 2011年
下 载: 46次
引 用: 0次
阅 读: 论文下载
内容摘要
作为早期英国浪漫主义者的代表,华兹华斯和柯尔律治在文学批评界已经吸引了众多讨论。本文希望从一个鲜有涉足的宗教角度就浪漫主义者对无限的追求做更深入的研究,对他们诗歌中暗含的泛神论因素以及对其的阐述中所蕴涵的浪漫主义印记进行探寻和分析。通过对其宗教溯源的回顾,第二章梳理了泛神论与正统神学的紧密联系,和在当时的历史哲学思潮背景下相互交织的演变;这样的关系使得诗人自身和后来的批评者都很少意识到在他们神学思想中隐含的泛神论暗流。在这一观照下对华兹华斯和柯尔律治的诗歌细读中,一些重要意象以及经常流露的情感渐渐拼凑出一个带有泛神论色彩的“无限”。第三章着重分析了诗歌文本中所浮现的无限整体鲜明的泛神论特征,如内在性、无休止的动态过程、多样性的统一和有机生命论。正是这个具有泛神论倾向的绝对整体得以为他们对无限的浪漫主义追求提供了一个更理想的范式,跨越了康德设下的困局并且成功糅合了德国宏大的哲学体系和英国经验主义传统。这个追求在华兹华斯和柯尔律治那里获得了新的浪漫主义印记,重点体现在个性被赋予的特殊意义。因此第四章探寻了两人诗歌中对于有限——作为追寻无限的出发点与最终归宿——的强调,以及个体如何最终打破自身的有限性而融入无限。本文旨在以华兹华斯和柯尔律治诗歌的文本研究为平台,展开并突显关于早期英国浪漫主义与泛神论关系的讨论,同时也为这两位湖畔派诗人作品的研究提供新的视角。
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全文目录
Acknowledgements 3-4Abstract 4-5摘要 5-8Chapter One Introduction 8-16 1.1 Previous studies on the relationship between Romantic literature & pantheism 8-11 1.2 A Romantic re-elaboration of pantheism 11-12 1.3 An overview of the poetic works of Wordsworth & Coleridge 12-15 1.4 Organization of the thesis 15-16Chapter Two A Critical Review of the Religious Background and Thoughts of the Romantic Period 16-39 2.1 Religious thread 16-27 2.1.1 Destabilizing pantheist ingredients within Christianity 16-19 2.1.2 The religious evolution of pantheism 19-22 2.1.3 The upsurge and critique of reason in religion—from Deism to Kant 22-26 2.1.4 Pantheist inclination in Romantic religious view 26-27 2.2 Thoughts of the period 27-35 2.2.1 Romanticism in the light of Enlightenment and modernity 28-31 2.2.2 Conundrum & Inspiration for the Romantics: Kantian solution to his dualism 31-34 2.2.3 Provision for Romantic quest: the blend of German idealism & British empiricism 34-35 2.3 Capsulizing and defining 35-39 2.3.1 Pantheism versus atheism 36 2.3.2 Pantheism versus polytheism 36-37 2.3.3 The relationship between pantheism and Christianity 37-39Chapter Three Pantheist Elements in the Infinite Unity as Reflected in the Poems of Wordsworth & Coleridge 39-63 3.1 A pantheist Unity behind the world 39-48 3.1.1 “The Solitary Reaper” & “one intellectual breeze” in “The Eolian Harp” —in pursuit of an absolute Unity 39-45 3.1.2 An immanent “God” manifested in “Tintern Abbey” —a Spinozaic autonomous system 45-48 3.2 The infiniteness and eternity of the pantheist Unity embodied in dynamics and diversity 48-55 3.2.1 “The stationary blasts of waterfalls” —a dynamic process of ceaseless self-innovation 49-52 3.2.2 The contrast between landscapes & the metaphor of music —“Multeity in Unity” 52-55 3.3 A living organism 55-63 3.3.1 “The Winander Boy”—organic principle over “minded”divine will 55-57 3.3.2 The metaphors of tree & stream—organic life of the absolute Unity 57-63Chapter Four The Romantic Mark of the Quest for the Pantheist Unity 63-89 4.1 “An aerial cross” & a solitary traveller —a redemptive hope to surmount the individual’s finity 63-74 4.1.1 The contradiction between finite and infinite—the very reason for the quest 64-66 4.1.2 Break away from the delusion of finity 66-71 4.1.3 The dimension of time in the finite’s experience of the infinite 71-74 4.2 The backlit image of the shepherd --the emphasis on the individuality in the union 74-81 4.2.1 A complex organism condesed in “seed”—organic Unity in the finite 75-78 4.2.2 “A mind voyaging through strange seas of Thought alone” —the weight of the finite individual’s appeal 78-81 4.3 “Light” & “joy” in The Prelude —the role of imagination in connecting the individual & the infinite Unity 81-89Chapter Five Conclusion 89-92Works Cited 92-95Selected Bibliography 95-99
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