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当代圣经文学翻译：理念与实践探索

作　者: 芮淑妍
导　师: 任东升
学　校: 中国海洋大学
专　业: 外国语言学及应用语言学
关键词: 圣经汉译文学化理念实践冯象
分类号: H059
类　型: 硕士论文
年　份: 2011年
下　载: 26次
引　用: 0次
阅　读: 论文下载

内容摘要

在中国《圣经》的翻译始于唐代,至今已有一千三百多年的历史。在这期间随着《圣经》的传播,不断有翻译家对《圣经》译本进行修改与重译,由此产生的翻译观也不断发生改变。本文将中国圣经翻译理念的发展分为三个阶段:(1)本土化翻译阶段:唐代来自西域的阿罗本面对中国儒教道教传统所采用的翻译策略。(2)忠实文本翻译阶段:明清时期以贺清泰、马礼逊为代表的传教士译者重视保存《圣经》“本文本意”的翻译思想。(3)文学化翻译阶段:以严复翻译《马可福音》前四章为标志,中国本土译者对《圣经》的文学化翻译。圣经汉译的文学化进程大体可分为三个阶段:(1)试译阶段(1908年):以严复翻译《马可福音》前四章为标志。(2)发展阶段(20世纪20年代开始):文学翻译家对圣经诗歌的文学翻译。(3)文学翻译阶段(20世纪80年代开始):旅美中国学者冯象和王汉川对《圣经》的文学翻译。圣经汉译走向文学化与中国文人看待《圣经》的文本观有直接关系。唐代受固有的儒道思想影响,外来传教士将《圣经》进行了本土化的诠释和翻译。马礼逊将完整的《圣经》译成汉语后,中国读者得以领略《圣经》全貌,认识到《圣经》的文学品质。新文学运动之后,许地山、朱维之、吴经熊、冯象等译者用文学手段将《圣经》翻译出来后,《圣经》逐渐被当作文学作品来接受。而在西方,《圣经》的神学文本价值历来被视为首要价值,《圣经》被视为宗教文本,因此在很长时间内圣经翻译理论主要围绕如何传播圣经的宗教功能展开,即选择直译(如哲罗姆“词对词”的翻译策略)还是意译(如奈达的“动态对等”翻译原则)。本文首先通过对比中西方圣经翻译思想的异同及其文化根源,指出圣经汉译的文学化趋向,然后重点研究中国语境下“文学的”圣经汉译理念,并以冯象翻译的《创世纪》和《约伯记》为例,分析圣经文学翻译的实践,最后得出结论,总结圣经文学翻译的理念及其表现。

全文目录

Abstract  5-7
摘要  7-10
Chapter One Introduction  10-13
  1.1 Research Background  10
  1.2 Significance of the Research  10-11
  1.3 Structure of the Thesis  11-13
Chapter Two Literature Review  13-26
  2.1 Researches on Bible Translation in the West  13-19
    2.1.1 The Theological Approach to Bible Translation  13-15
    2.1.2 The Philological Approach to Bible Translation  15-16
    2.1.3 The Linguistic Approach to Bible Translation  16-17
    2.1.4 The Communicative Approach to Bible Translation  17-18
    2.1.5 Summary  18-19
  2.2 Researches on Bible Translation in China  19-25
    2.2.1 Incultralized Bible Translation  19-20
    2.2.2 Word-for-Word Bible Translation  20-23
    2.2.3 Literary Bible Translation  23-25
  2.3 The Current Situation of Literary Translation of the Bible  25-26
Chapter Three Literalization of the Bible Translation in China  26-38
  3.1 Three Views of the Biblical Text  26-29
    3.1.1 The Bible as a Religious Text  26
    3.1.2 The Bible as a Historical Text  26-27
    3.1.3 The Bible as a Literary Text  27-29
  3.2 Comparison of Bible Translation in China and the West  29-31
    3.2.1 Similarities  29
    3.2.2 Differences  29-31
  3.3 The Literalizing Process of Bible Translation in China  31-38
    3.3.1 Beginning of Literalization—Yan Fu’s Translation of the Biblical Fragment  31-33
    3.3.2 Development of Literalization—Translations of Biblical Poems and Songs Done by Chinese Translators  33-35
    3.3.3 Attempt for Literary Translation of the Bible  35-38
Chapter Four Literary Translation of the Bible Exemplified by Feng Xiang’s Genesis and Book of Job  38-52
  4.1 Feng Xiang’s Translation of the Bible  38-40
  4.2 Feng Xiang’s Translating Principles and Strategies  40-42
  4.3 An Analysis of Feng Xiang’s Translation of Genesis  42-46
    4.3.1 Representation of Short and Simple Language  42-43
    4.3.2 Employment of Colloquial Expressions  43
    4.3.3 Employment of Literary Skills  43-45
    4.3.4 Employment of Exquisite Words  45-46
  4.4 An Analysis of Feng Xiang’s Translation of the Book of Job  46-50
    4.4.1 Reorganization of the Poetic Structure  48-49
    4.4.2 Employment of the Poetic Wording  49-50
    4.4.3 Representation of the Poetic Ethos  50
  4.5 Summary  50-52
Chapter Five Conclusion  52-54
  5.1 Findings of the Research  52-53
  5.2 Limitations of the Thesis  53
  5.3 Suggestions for Future Research  53-54
Bibliography  54-57
Appendix Ⅰ A List of Chinese Versions of the Bible  57-59
Appendix Ⅱ A List of Feng Xiang’s Works  59-60
Acknowledgements  60-61
个人简历  61
发表的学术论文  61

当代圣经文学翻译：理念与实践探索

内容摘要

全文目录

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