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浅析获奖英文广告中的互文性
作 者: 陈克勤
导 师: 戴桂玉
学 校: 广东外语外贸大学
专 业: 外国语言学及应用语言学
关键词: advertising intertextuality text intertextual relationship image strategy
分类号: H315
类 型: 硕士论文
年 份: 2004年
下 载: 549次
引 用: 3次
阅 读: 论文下载
内容摘要
The present study investigates ten types of intertextual relationships in awarded English advertising to prove that appropriate usage of intertextuality can attribute to the success of advertising, that is, to arouse consumers’ interest and to prompt their purchasing action. According to the theory of intertextuality, texts exist in a network of already established meanings. Authors would assemble already available meanings rather than produce new ones. From the aspect of readers, their understandings about the texts rely much on their knowledge of preexisted ones. Although advertising emphasizes on novelty and originality, no advertising designer can create an advertisement without recourse to the various existed ones. Thus intertextuality becomes an important technique in creating appealing and impressive advertisements.Based on the models proposed by Hatim and Lemke, we adopt a combined theoretical model and extend it to the analysis of the awarded advertisements. We show that all the relationships mentioned in the model can be traced in advertising. Different intertextual relationships have diverse impacts on the interpretation and effect of advertisements. Finally, we strongly suggest that Chinese advertisers assimilate this strategy into their own designs.
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全文目录
DECLARATION 4-5 ABSTRACT 5-6 ACKNOWLEDGEMENTS 6-12 CHAPTER ONE: INTRODUCTION 12-20 1.1 Overview 12-14 1.2 Term Issue 14-15 1.3 Rationale and Significance of the Study 15-17 1.4 Data Collection and Research Method 17-18 1.4.1 Research Methodology 17 1.4.2 Research Population 17-18 1.4.3 Investigation Method 18 1.5 Research Questions 18 1.6 Structure of the Thesis 18-20 CHAFFER TWO: LITERATURE REVIEW 20-34 2.1 Historical Overview of Intertextuality 20-28 2.1.1 The Social Word and Dialogism of Bakhtin 20-22 2.1.2 Julia Kristeva: Dialogism to Intertextuality 22-23 2.1.3 Roland Barthes 23-24 2.1.4 Other Research on Intertextuality 24-28 2.2 The Theory and Research Literature Specific to the Topic 28-34 2.2.1 Roland Barthes: Three Kinds of Message 28-29 2.2.2 Leeson's and Dunn's Study of Intertextuality 29-30 2.2.3 Langan's Study on ”Cut Silk” Cigarette 30-31 2.2.4 The Study Conducted by Goddard 31-32 2.2.5 Holms's Study on Irish Beer Advertisement 32 2.2.6 Intertextual Study on Advertisements by Chinese Scholars 32-34 CHAPTER THREE: THEORETICAL FRAMEWORK 34-42 3.1 Intertextuality Applied in CDA 34-37 3.2 Manifest Intertextuality 37-39 3.2.1 Reference 37 3.2.2 Cliché 37-38 3.2.3 Literary Allusion 38 3.2.4 Self-quotation 38 3.2.5 Conventionalism 38 3.2.6 Proverb 38-39 3.2.7 Meditation 39 3.3 Constitutive Intertextuality 39-42 3.3.1 Generic 40 3.3.2 Thematic or Topical 40 3.3.3 Structural 40-41 3.3.4 Functional 41-42 CHAPTER FOUR: ANALYSIS 42-61 4.1 The Intertextual Nature of Advertising 42-43 4.2 Manifest Intertextuality of English Advertising 43-52 4.2.1 Reference 43-45 4.2.2 Cliché 45-46 4.2.3 Literary Allusion 46-48 4.2.4 Self-quotation 48-49 4.2.5 Conventionalism 49-50 4.2.6 Proverb 50-51 4.2.7 Meditation 51-52 4.3 Constitutive Intertextuality of Awarded English Advertising 52-58 4.3.1 Generic Intertextuality 52-54 4.3.2 Thematic / Topical Intertextuality 54-55 4.3.3 Structural Intertextuality 55-57 4.3.4 Functional Intertextuality 57-58 4.4 Findings 58-59 4.5 Summary 59-61 CHAPTER FIVE: CONCLUSION 61-66 5.1 Summarization 61-62 5.2 Implications 62-64 5.3 Delimitations and Limitations of the Study 64-65 5.4 Suggestions for Further Study 65-66 APPENDIX 66-71 REFERENCES 71-73 BIBLIOGRAPHY 73-75
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